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Venezuelan artist Osvaldo Vegas's retrospective held at Guangdong Art Museum_我的网站

一 |     New Delhi, Oct 21 (UNI) The Supreme Court on Friday rejected a petition filed by Dr Rajneesh Singh, who claimed to be the media in-charge of BJP's Ayodhya unit, seeking opening of certain rooms of the Taj Mahal to put to rest the "alleged history" of the historic monument including claims that it was a Shiva temple, Tejo Mahalaya.

The petition filed by Dr Singh, who claimed to be the media in-charge of the Bharatiya Janata Party's (BJP) Ayodhya unit, sought a direction to the government to constitute a fact-finding committee and to “look for important historical evidence” like idols and inscriptions that are believed to be hidden inside the Taj Mahal on the orders of the Mughal emperor Shah Jahan.

Dr Singh has earlier filed the plea before the Allahabad High Court, but it dismissed it, forcing him to approach the Supreme Court for relief.

A bench of the Supreme Court, headed by Justice MR Shah and also comprising Justice MM Sundresh said that the plea, an appeal against an order of the Allahabad High Court, was a 'publicity interest litigation' and dismissed the petition.

"The High Court was not in error in dismissing the petition, which is more of a publicity interest litigation. Dismissed," the apex court ordered.

The petitioner had argued before the Allahabad High Court that many Hindu groups have been claiming that the Taj Mahal is an old Shiva Temple which was known as Tejo Mahalaya, a theory that was supported by many historians as well.

Dr Singh stated that there are 22 rooms situated in the upper and lower portion of the four-storied building of the Taj Mahal that are permanently locked and historians like PN Oak and many Hindu worshippers believe that a Shiva temple lies in those rooms.

UNI SM SHK2053。    (ECNS) -- The retrospective of the Venezuelan artist Oswaldo Vigas opened at Guangdong Art Museum in Guangzhou on Saturday, featuring major artworks and archival documents spanning over seven decades of creation.    Titled Reality is What I Imagine, the retrospective was jointly curated by Venezuelan curator Gabriela Rangel and Chinese curator Jiang Jun. It brings together Vegas’ representative pieces and related historical materials.    Vegas was a Venezuelan painter, muralist and sculptor, widely recognized as one of the key figures in Latin-American modern art. He delved deep into Venezuela’s cultural heritage and engaged in local and international modern-art developments, blending European modernism with Latin America’s rich and diverse cultural legacies.    Wang Shaoqiang, director of Guangdong Art Museum, noted that Vegas neither blindly followed the universal narratives of European modernism nor clung to nostalgic localist fantasies. Instead, he forged a creative stance known as “amphibious modernity” between the two traditions.    Occupying two galleries in the new Guangdong Art Museum building, the show traces the stylistic evolution of Vegas across four chronological phases, offering a comprehensive overview of his lifelong artistic output.    (By Xu Wenda, Zhang Dongfang)                        。

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Published on:04:21:11